12 things to consider when opting out

It was at least a couple of years ago, maybe more. I was on an island in the Finnish archipelago on my annual summer holiday. One night I woke up with a start. I had dreamed about my next book and, in my sleep, I had come up with the best title. But there I was, in the middle of the night. I didn’t have single thing handy to record this amazing idea. No pencil, no note pad, no phone… not even a crinkled tissue. And you know how it is, if you don’t write it down, by morning it will be gone. 

The title was 12 things to consider when opting out

Well, funnily enough, I managed to will myself to remember what I thought was a catchy title and I fell back asleep and actually continued dreaming about it for the rest of the night so that, come morning, I did actually get up and write it down. Needless to say, I wasn’t very well rested…

So, this has been a book that has been on my writing to do list ever since. It fit perfectly in my plan. For the past few years I have been turning my research on opting out and in into a series of books. My first book, Opting Out and In, is on women opting out and it takes a slightly broader societal look at the phenomenon. My second book, Men Do it Too, is on men opting out and it focuses more on work and careers. My third book, that I am working on as we speak, is about what organizations can and need to do to create workplaces that people won’t long to leave. 12 things to consider would be a perfect fourth. It would take an individual approach and be for people who dream of opting out, which, according to studies, has turned out to be most of us.

At the time of the dream, I was still working on my second book, so 12 things to consider simply had to get in line. But I was excited about it and I started jotting down ideas and came up with a preliminary table of contents. I mean, I didn’t even know if 12 was the right amount. Did I even have 12 things to say about the topic? And it turned out that I did. 

But like every creative, I get filled with doubt at times. It this this really what I should be focusing on? Is this any good? Do people even want to read this? (This is the reason my mantra is ‘keep going keep going keep going’. You just have to trust the process.) And as I’ve been working on the book for organizations, I’ve started to wonder, do I even want to write this book?

After all, I’m always telling everyone that I don’t really want to coach people in opting out, I want people to have working lives that they won’t constantly long to leave. Besides, those who do dream about opting out and would be the potential readers of my book, maybe they don’t want a well-researched book of all the rational things they need to think of before opting out. Because if faced with the sense of urgency that the situation leading to opting out can entail, you may not necessarily have the time nor the patience for a sensible book on opting out. You just want to do to it, you just need to do it because you know that you simply can’t work the way you have anymore. 

So, this has been my dilemma. 

Imagine my surprise when an editor I’ve been in touch with recently mentioned a book that was just about to be published at the time, which, based on the description, seemed to be a book on opting out from an individual perspective! I threw myself on my computer to preorder the book and by now it has been published and I have it in my hands. It’s a book titled Jolted: Why We Quit, When to Stay, and Why it Matters by Anthony Klotz, the very person who actually coined the expression ‘The Great Resignation’. 

You might think that I was bummed that Klotz seemed to have beat me to it, that is, written a book for people who dream about opting out. But you would be mistaken. My initial reaction was relief; I’m off the hook. I thought, ‘wow, I don’t have to worry about whether or not I want to write the book anymore.’ But to tell you the truth, now that I’m actually reading it, I realize it isn’t actually the book I was planning to write. It’s good, but different. So maybe I should just stick to my original plan. 

In the meantime, I thought I would share with you the table of contents I developed after the night of the dream. I’m playing with the idea of just going ahead and writing this book right here on my blog. Maybe my next post could be chapter one? What do you think?

Chapter One: Opt out or lean in – is that really the question?

Chapter Two: It isn’t just you

Chapter Three: Have you just asked?

Chapter Four: How do you figure out what you want to do?

Chapter Five: Not everyone will get it and that’s okay

Chapter Six: There are many roads to the same destination

Chapter Seven: What is success anyway?

Chapter Eight: What about your partner?

Chapter Nine: What will this mean financially?

Chapter Ten: Nothing is forever

Chapter Eleven: Creating sustainable solutions for work

Chapter Twelve: Being a part of the change

Why are middle managers so unhappy? (And why is it so hard for me to write about?!)

I’ve been trying to write a blog post about why middle managers are so unhappy for about a month now. I’ve kept the Word file open on my computer and every once in a while I’ll stumble upon it amongst all the other windows that are open on my screen (I’m telling you, I feel like I have a hundred things going on simultaneously at the moment), and it glares accusingly at me, reminding me that in my last blog post I promised you all that I was reviving my blog. And here I am, having not posted a thing since December.

It’s not that I don’t know why middle managers are so unhappy. I do. According to studies, they are the unhappiest group in the organizational world and the main reason is that they are just that – in the middle. They don’t generally make the strategic decisions, but they do have to implement them. They deal with and have to manage expectations from both above and below and are burdened with administrative responsibilities. They reportedly spend about 35% of their total working time in meetings. That’s more than a third!

This leads to a feeling of not having agency, that their hands are tied, which in turn affects wellbeing. I see this again and again in my opting out research. 

So why is this so hard to write about? 

The thing is, I already wrote the blog post, I had a version ready for publication, but when I looked at it I just thought it was boring. And if it bores me to read, I’m pretty sure it will bore you too. 

So, the other night I decided that’s it. I need to get this written. This is part of my book project on what organizations need to do to create work places that people won’t long to leave (because let’s face it, a lot of people dream of opting out), and the crass reality is that I need to produce texts. No words, no book.

I sat down at my computer and started reworking the post. I wrote and rewrote. I reorganized the text, moving sentences back and forth and back again. But no, it didn’t help. It didn’t make the post any more interesting. I just wasn’t feeling it.

And this is the thing, I need to start from me. I need to have a connection to what I’m writing, I need to feel it. I can’t just spew out text on command if I’m not feeling it and think anyone will want to read it. What I had written wasn’t a blog post, it was more of a well-formulated list of why middle manager are so unhappy. 

So today it hit me. I need to write down my experience. It’s ironic, but maybe understandable, that writing, which I love to do, which feels meaningful and provides me with such a sense of accomplishment, can also be so painful and angst-ridden. I was actually watching an Instagram live by an artist I follow, Philippa Stanton (@5ftinf), and she said exactly this (maybe not in those words, but that was the gist). Hearing it made me feel relieved and understood. Maybe it isn’t so weird. After all, writing (or any creative art form) is actually a very personal endeavor. 

But back to middle managers. Why is this important? Well, for one, every once in a while, I see stories and reports of how it’s become increasingly difficult for companies to get people to accept promotions if the result of that promotion is a middle management position. Despite the promise of a raise and a more prestigious job, people are increasingly saying thanks but no thanks. 

Then there is also the issue of people leaving. When I started researching opting out, it was more of an exception than anything else, simply because leaving is hard. But now people are doing it in numbers never before witnessed. 

So what do we do? Well there are a lot of things we can do to help the individual middle manager. But on a whole, we really need to look at organizational working cultures and practices. I’ve said it before and I’ll say it again, something has got to give. 

What about you? Are you a middle manager? Do you recognize any of this? Or are you in a workplace where you can thrive? Tell me about it, I would love to hear from you!

You can email me at theoptingoutblog@gmail.com. All emails are confidential.

PS. Those of you hoping for a list, here is one from a study published by The Harvard Business Review of reasons given by middle managers on why they are so unhappy (in order of importance):

  1. Bad leadership
  2. They see no career or promotion opportunities
  3. Their work lacks meaning and purpose
  4. They feel that they are treated unfairly compared to others
  5. They don’t feel valued or appreciated
  6. They don’t believe the problem will be addressed if they raise an issue
  7. They’re overworked
  8. They see the organization as inefficient and ineffective
  9. Their distinctiveness in not valued or appreciated

Create, create, create!

I follow Elizabeth Gilbert on Instagram. You know who I mean, the author of best-sellers like Eat, Pray, Love. Although I have to admit I have never read Eat, Pray, Love, nor did I see the movie. But I have read a book by her titled The Last American Man. I have a beat-up copy that I bought at some flea market once when I was starting out on my research project on men opting out. At the time, I devoured any books about men I could get my hands on of any genre in order to gain insights into the strange and mysterious world of masculinities (I’m kidding about the strange and mysterious… sort of 😉 ).

Anyway, The Last American Man is a biography, or maybe rather an ethnographic account of the somewhat legendary Eustace Conway’s life and existence (no I hadn’t heard of him either until I read the book). And this might not sound like the most exciting read, but it was really an excellent book. The way Gilbert approached the whole situation and her style of writing was funny, entertaining, insightful, thoughtful and just so good. It was certainly a good read, and I became curious about this best-selling author that I of course knew of but who hadn’t really piqued my interest before. When things become hugely popular and everyone is talking about them and you’re constantly told that you have to read, see, try, do something, I get a little bit put off and then I just don’t. I know, I can’t really explain it, but there you go…

So after that, I stumbled across Gilbert’s Instagram account @elizabeth_gilbert_writer and I have to say, I really enjoy her posts. Again, what a funny, generous, positive, insightful and sensitive person. The other day she was interviewed live on Instagram, which I watched part of, and something she said just resonated with me. I can’t remember it exactly word for word, so I might get this wrong, but what it in essence was, was that we all have a natural drive – a need – to just create, create, create. Not just people, but also nature, nature of course creates too. It includes everything from creating life, creating order where there is none, creating art, creating beauty, creating meaning, creating connections, creating music… It’s what we do; we create, create, create.

I don’t know if I’m able to convey this in a way that makes any sense, but it just made such perfect sense to me as I was sitting there in my kitchen on a Sunday evening, preparing myself for another week of social distancing and distance schooling (my kids) and (what feels like) a million meals and absolutely maddening amounts of dirty dishes. Ironically, or perhaps not, this feels like one of the most creative periods of my life, which kind of sounds funny since I’m not painting nearly as much as I usually do.

About three weeks ago, like for so many others, my calendar was wiped clean. Everything I had planned, events, talks, silk painting courses, my exhibition… everything was either canceled or postponed. That is generally bad news for entrepreneurs (and I know there are so many entrepreneurs out there really struggling right now), but in a way it was a blessing in disguise, because I finally had the time and space I so badly needed to actually finish writing my book. And I am making great progress – I’m planning on having my first draft of my manuscript done by the end of April (I know can you believe it?! I barely can).

That is of course very creative to say the least. And I want to point out to those of you who were thinking you were going to work on that book you always dreamed of writing during the Corona lockdown but haven’t been able to get started: this isn’t that. There is so much to deal with both practically and emotionally during this time that just managing to get what has to be done from one day to another is more than enough. It really is, so don’t beat yourself up about it. This is my day job, what I am supposed to be doing but have been struggling with due to a lack of time. It’s not a dream I’m finally making happen (although in a way it’s that too, but that’s a long story).

But that’s just my book. I think for all of us, this is a time when we really have to be creative and do things differently, and I think people are rising to the occasion in a way they probably never thought they had in them.

I’m not doing the heroic work that health care workers are doing, or my kid’s teachers who are absolutely amazing. For me it has entailed being creative in the kitchen and cooking a variety of meals like never before. It has meant walks in my nearby forest, which have become so important to me. It has meant activities with my teens. And for the past couple of days it has meant sewing a whole bunch of face masks for family members who need them.* It has meant doing things I have never done before, and it has meant doing them in a way I have never done before. All of a sudden, I’m at home and I have time on my hands because I have nowhere to be. It means that I allow things to take the time they take. I do them slowly and perhaps not surprisingly, doing things slowly makes the process both more enjoyable and more meaningful.

As I sit here, and wait this situation out, I’m not dreaming of all the things I could be doing instead. I’m just here, and I create, create, create. I create so much that I have little creativity and energy left to paint. But that’s okay. My upcoming exhibition has been postponed, so I’ll have all the time in the world to do that once my book is written.

The point is, we all create, and whether you have been defined as a creative person or not has nothing to do with it. So, in that spirit, remember: create, create, create! And while you’re doing so, stay safe and well!

 

*If you want to make a face mask of your own, you will find a free pattern here: https://www.craftpassion.com/face-mask-sewing-pattern/

 

Notes from a writer’s desk

I’m happy to announce that I’ve been making a lot of progress on my book during the past few weeks. You know the book, the one I’ve been talking about for the past couple of years… if not more. It’s the one about men opting out. Yes, that’s still the one, and honestly, I’m getting a bit sick of talking about the fact that I’m still working on it. When people ask me what I’m doing and I mention that I’m working on my book, they often say, ‘Oh what book are you working on now?’ Then they seem genuinely surprised that it’s still the same book. And yes, IT’S STILL THE SAME BOOK!

To be fair, a book project takes a while, especially if you aren’t working on it full-time. Several years to write a book is not unusual at all (I admit, I’m partly also saying this for my own benefit…). Also, an academic book may take even longer because you have to weigh every word, look things up, find research and citations to support your statements, find other research that provides other perspectives for a more holistic understanding, and then again weigh every word so that you don’t misrepresent anything and by no means make any sweeping generalizations because reality really is more complicated than that… So it takes a while.

But now that I’m settled in my Art Place and things are happening on that front, I’ve given myself this spring to finish my manuscript and I have to say it’s a relief to finally be able to focus on my writing again. When I wasn’t able to focus, I started doubting myself. I started wondering whether I maybe didn’t have it in me to write another book. Maybe I was just a one-hit wonder…? Trying to write while not being able to focus for whatever reason just made the process frustrating, inefficient, and frankly quite depressing. But now I’ve made time and space for it, because let’s face it, I need to get on with my life, and I’m happy – no, actually I’m thrilled to report that I’ve started to enjoy the process again and I’m making progress. I can do this! I can write another book and I will!

I’ve started to look forward to the days when I can focus on writing again.

I’ve realized I still have thoughts and ideas that I want to get down.

I’ve realized being a woman and writing about masculinities isn’t as daunting as I thought it would be.

I’ve realized I still have things to say.

So, on that happy note, I’m going to sign off here. I was actually going to write this post about men, masculinities and the media, because that is what I have been working on today, but I’ll save that for next time. Stayed tuned because it’s fascinating stuff!

Until then, happy spring! (Although there is a blizzard outside my window at the moment. Now finally, when we don’t want it anymore, winter deigns to show up?!)