Lost in Socklot

You’re probably wondering what that means, ‘lost in Socklot’. I’ll tell you, but I have to backtrack a little first.

There is a small town on the coast of Finland where my grandparents used to live. I spent all my childhood Christmases in this town. I also spent other holidays there but the Christmas magic is what will forever stand out in my mind, because my family was especially good at creating magic. It of course helped that there was always snow, but it also involved things like carol-singing, home-made wool socks, and imaginary elf sightings as they rushed between homes in a terrible hurry to get everything done in time for Christmas. I remember the sweet, juicy mandarins my grandmother always kept in a bowl on the coffee table. Even the dog loved them and would appear in a flash the instant you pressed your thumb into the fruit to break the peel.

My grandparents passed away many years ago, but I go back once in a while and drive past their house, although not very often. However, this fall I found myself visiting twice in the span of just a month. Not only that, I went in a professional capacity – which was a first for me – and in a strange way it felt like things kind of came full circle. You see, as a little a girl, I dreamed of working in this small town when I grew up, although my dream involved the cash register of the local grocery store. Pushing all those buttons just seemed like so much fun.

Alas, there were no cash registers involved when the opportunity to go there for work arose. I went to give two talks, and while I was there, my cousin came up with the idea of exhibiting my paintings in her daughter’s wonderful café. Said and done; we set a date for the vernissage, and that was how I ended up spending a whirlwind weekend not just hanging an exhibition and hosting a vernissage in the same day, but also driving about 1000 km (back and forth, but never-the-less) to do so.

I never planned on doing it alone, but in the last minute something came up and there I was. I set out on a Saturday morning, drove by my Art Place to pick up my paintings, and then set out North, belting duets with Billy Joel as I drove to make the time pass more quickly. Fast forward to the afternoon, and I arrive at the café somewhat stiff, with a huge craving for coffee, lugging a bunch of silk paintings. Well it was a café so the coffee thing was easily fixed… but it was a café so it was also filled with café guests nursing their own coffees, and blocking the walls onto which I wanted to hang my paintings.

Those of you who are artists know just how difficult and stressful hanging an exhibition can be. There I sat among the guests and every time someone got up to leave, I pounced before my access to that particular section of the wall got blocked again by the next set of guests. Standing on tables and chairs, I hung a couple of paintings as quickly as possible and prayed I got it right on the first try and wouldn’t have to do it all again.

Eventually the paintings were hung – not perfectly but well enough – and I rushed to my hotel to change for the vernissage. The event in itself was a success, although somewhat exhausting for an extroverted introvert like me, especially considering I was hosting it all alone away from home. Plus, exhibiting your art is soul-baringly personal, clichéd as it may sound. But guests came and it was wonderful to see everyone, it really was.

After the vernissage, a lot of flowers, and many warm congratulatory hugs, I happily made my way back to my hotel to get a good night’s sleep before my long drive back. But I didn’t really sleep, not after all that excitement, so the next day, I woke up quite tired, albeit to a sparkly white winter wonderland.

After breakfast, I got back into my car and started driving towards a small village called Socklot to visit the painting studio of an artist I had had the pleasure of meeting during one of my talks. I was really looking forward to this visit and I had a fantastic time. We hit it off and spent a couple of hours looking at his work, discussing techniques, and talking about my work… He gave me two sketches, which I treasure dearly, and I left with a full heart and a terrible itch to paint.

I got back in my car again and finally headed home. I was in the countryside and assumed I would find my way back to the main road without too much trouble. However, being a bit of a city person who navigates with the help of city blocks and sidewalks, the country roads soon led my astray and before long I realized I was lost. Well, not really lost, I mean I have a GPS on my phone so I wasn’t worried. But I realized I had driven in the wrong direction and was now even further away from the main road, and my drive home was getting longer by the minute.

Just as I had this realization, my phone rang and it was my husband. I hit the green receiver button and declared, “I’m lost in Socklot.”

It all felt a bit like a Kaurismäki movie, but ‘lost in Socklot’ also kind of said it all. It sort of summed up my life for the past few months. I was in a good place, doing amazing things. I was quite tired and a little lost, but not really because I knew the general direction I wanted to go in, plus I had a GPS to help me navigate. So I was lost but not really.

And I have been doing amazing things for the past few months. I have been setting up the Art Place of my dreams. I have met with interesting people, made new friends, experienced so many firsts. I have been doing exactly what I want to be doing, although at the same time it has been overwhelming and exhausting, not to mention scary. I have been out of my comfort zone in more ways than I can count, but I can also say that I have been living my dream. Sometimes I’ve felt a bit lost, but in a safe way because I have experience to fall back on and supportive people around me. I know the general direction I want to go in and I’ve always had a map or GPS of sorts at hand.

Sometime in October I started to realize that I can’t do it all. For my own sanity and wellbeing, I needed to focus on what was really important and what I simply had to get done. For the first time in five years, I didn’t have the energy nor the inspiration to update my blog. From being a weekly column, it became a monthly thing, although now two months have already passed since my last post. I started writing a new post at least twice before Christmas to wish you all a happy holiday season, but I just never managed to finish it.

But that is life, right? We can’t always do it all and we have to be kind to ourselves. I wanted to give you a life sign though and let you know that I’m still here and that I’m not done blogging. The Opting Out Blog has been such an important part of my own opting out and in process, and a place where I not only write about my research but can also air my thoughts on other related topics. I believe I still have a lot left to say, and I will, although at the moment it may not be weekly or even bimonthly.

But I’ll keep you posted and I’ll keep posting, and I hope you will continue reading. Your comments and reactions still inspire me more than I can explain and I wish you all the best for the new year!

It’s personal

One thing I often hear when interviewing people about opting out, is that they didn’t really feel like they could be themselves in their previous jobs. There were aspects of their personalities and their lives that they felt they had to keep hidden. Children, care responsibilities, health issues, personality traits… just to name a few. This is one of the reasons they generally feel so good about the work solutions they opt in to instead. Many of them choose or create workplaces where they don’t have to keep these things hidden, which is one of the reasons they finally feel like they are exactly where they are meant to be. Why they experience such a profound feeling of authenticity.

I mean, how many times have we not heard, ‘it’s not personal, it’s just business’?

That seems to be some sort of a mantra in the business world; that and the idea that that which is personal needs to be kept separate from work. Well, I beg to differ. Work – like all aspects of our lives – is highly personal.

The reason it is personal is that we are people. Businesses are made up of people and we a come to work carrying our selves and our lives with us. Granted, we are often encouraged to leave all that at the door, which I think is actually part of the problem.

It is problematic on many levels. First, whatever is going on in our lives affects us and our performance, even when are encouraged not to talk about it at work. Of course it does. If we can talk about whatever is going on, whether it is positive or negative, if we can share that with colleagues (who we, by the way, spend most of our waking hours with), then we can also support each other at work. Not surprisingly, research has shown that this has a positive impact on performance.

But not only that, if we share whatever is going on with us at work, people will also know where we are coming from when we react in certain ways, which just makes it easier to communicate, collaborate and be understood. Knowing where the other one is coming from is key.

However, there is yet another aspect. I often talk about how I time and time again hear about how organizations are reluctant to give their employees control over where and how they work, because if they can’t see them, how do they know they are working? (Yes, this is true, I hear this all the time.) The problem is trust. If people say that, they simply don’t trust their employees enough. However, the better you know someone, the easier it is to trust them. So if we really get to know an employee, we can also feel confident knowing that they are working when they say they are, even though they aren’t in our line of sight. Communicating about work issues and about how it’s going also becomes easier, which again, makes it even easier to work together and to trust each other.

We have to get to know each other better at work, and when we do, it will change working life as we know it.

We have to be allowed to be whole human beings, not just employees. We have to want to know more about each other. We have to really talk to each other without being worried about opening a can of worms. If really getting to know someone means also hearing about the hard stuff, then so be it. As compassionate human beings we will know how to react. Besides, often it doesn’t even involve reacting, just listening, and we can all do that.

Monica Worline and Jane Dutton, the authors of Awakening Compassion at Work: The Quiet Power that Elevates People and Organizations, argue that compassion, which has always been considered a “soft” value, is anything but. It’s a strategic value, which organizations need to focus on to become truly successful:

”Compassion is an irreplaceable dimension of excellence for any organization that wants to make the most of its human capabilities…  Without compassion, workplaces can become powerful amplifiers of human suffering.”

All this is on my mind as I set up my Art Place. I want the place to be personal. I want it to look nothing like conference rooms business professionals are used to spending time in. I want it to look like me, and I want people to be struck by this when they walk through my door.

Since talking about work is highly personal, I want to invite people to talk about work in a space that is just that, personal. We are people, and people are personal, and once we can see that we can create more compassionate workplaces. We can create places where people don’t have to worry about not being able to be themselves, where personal isn’t considered the opposite of professional, and where people can thrive.

So let’s do it!

Following my heart, but taking my brain with me

I own 48 champagne glasses. You may wonder why. The reason is that after getting my PhD (in Australia) in 2014, I organized a seminar in Finland where I spoke about my research and served sparkling wine to toast my hard-earned degree. The department, where I worked at the time, wasn’t in the university main building and having the catering company in charge of the cafeteria bring champagne glasses over to the next building was surprisingly expensive. Way more expensive than just buying glasses from IKEA. And, having spent the past four and a half years applying for grants to cover tuition, living costs etc., the more affordable version seemed like the way to go.

So here I am, the proud owner of 48 champagne flutes. They have been put to good use. I have used them myself when organizing events, and friends and family have borrowed them on occasion. This spring alone they have been at a wedding and a high-school graduation party. And I tell people not to worry if any should break. God knows I have more than enough, and as you already know, they really weren’t very expensive.

But still, they are special to me. They are symbolic of good things to come.

After I graduated, a friend and I fantasized about what the perfect work place for us would be. I mean, I had just written a PhD on opting out, and I was spending a lot of time thinking about work places, sustainable working cultures, toxic environments, good work routines, and basically just what does and doesn’t work for me personally. My friend and I fantasized about one day having an office together where we would do everything on our own terms. We hadn’t quite figured out what our business would be, but we did know what we wanted and we didn’t want, what practices we did and didn’t appreciate. We dreamed about this fantasy place and I jokingly told her that I already had the champagne glasses for office celebrations.

And so, these 48 glasses, became symbolic of my future – my future office, my future business – a place where I would work with what I love, in a way that I love. I didn’t really know if that was ever realistically going to happen, but the glasses have been a reminder that it could. You never know, right?

Well, let me tell you something. On August 1st, I am moving the 48 glasses into my new place. Take that in for a second, I can hardly believe it myself.

You see, I have a vision. I want to be involved in changing working life as we know it, and I want to bring people into a space that doesn’t look like an office to talk about work. I think we have to be taken out of our usual environments and see alternatives to more effectively challenge our mental models, and that is what I plan to do.

I have three legs that I stand on: research, consulting and painting. I’ve been doing research for the past ten years, but I also have a background in consulting and I want to take my research back to the business world where my findings belong. And then I have my painting. My painting is my passion and it has snowballed into a second job during the past couple of years. It has expanded to the point that I simply need a bigger place to paint, and I figured I could combine my three legs in one space. Not only that, after looking for a place for some time, I have finally found my perfect space and I signed the lease just a couple of weeks ago!

I call it ‘The Art Place’ – a place to paint but also a space for reflection and dialogue. A place to talk about and practice the art of change, of leadership and of reinvention. A place to think about alternative solutions for work and different ways of understanding work in a space that doesn’t look anything like an office. It will look like me and all three parts of me. I will be my space.

When I try to describe to people what it is I’m doing, it’s hard to do in just a few words. Yesterday, on Instagram, I saw a quote that said it all:

“Follow your heart, but take your brain with you.”

That, my friends, is precisely what I’m trying to do. So please stay tuned – more soon as I start setting things up!

“At least for now” – nothing is forever and why that’s okay

One of the things people often wonder when I give talks on my opting out and in research is, what happens further down the line? What happens after a few years, maybe this new lifestyle or way of working proves to not be so wonderful after all and maybe my interviewees will opt out again?

They often say it in a way that suggests that they suspect that I may have missed something, or that I am romanticizing opting out and in and have an unrealistic image of what is really going on.

Well, I’m always glad when I get asked this, because the fact is that this is exactly the thing: the new lifestyle is not forever. It’s good for now, and the people I have interviewed are generally aware of that.

The reason is that things change. Situations change, we change, our needs change, and we invariably adapt our lives accordingly. Some people will opt on to the next thing, someone might even opt back into what they opted out from in the first place, and that’s fine because that is what they want or need to do at that particular time in their lives. The difference is that once you have embarked on an opting out and in journey, you become more attuned to your needs and keep revisiting your situation to check that things are still okay. You remind yourself of what your terms are, terms which change and evolve over time.

I was talking to a new friend of mine the other day. Although we live on different continents we share a similar story. She opted out of a corporate career to become an artist. We were talking about her new lifestyle and when I told her she seemed right in her element, she responded with “at least for now.” Don’t misunderstand, she has gone all in. She sells her creations, she is passionate about what she does and she is good at it. Still, she knows that this is “at least for now.”

Realizing that it is good for now is a strength. It is a strength to understand that things not only might but will change. That doesn’t mean we don’t value what we do now, nor does it mean that we don’t do it full heartedly. It just keeps us open to new opportunities when they present themselves, and it keeps us able to rethink our terms and our lifestyles when needed.

And it’s the same for me. I love where my life is going professionally at the moment. It’s great – at least for now.

 

Tell yourself you can and you will

One of the things that my own opting out and in journey has brought me is a whole bunch of firsts. When I opted out of my career in consulting to work on my PhD, I was flung out of my comfort zone as I navigated new worlds and ways of doing things, and it has continued ever since. One reason is of course that whenever you embark on a new profession or way of life, you are bound to do many things for the first time. But another reason is that once you get in the habit of doing new things, the threshold to saying yes to new ideas and opportunities becomes lower. You simply become more open to trying things you never dreamed you would do.

Let me tell you about one of my firsts. A couple of years ago, my son, who has been following my research and the attention it has received from the sidelines, asked me if I could write a book about my research that he could actually understand. My research was just kind of hard to grasp for a ten-year old.

At first, I was just mostly flattered that he was interested in what I do. But I come from a long line of readers and I’ve read more books to my kids than I can count, so the idea of writing something that a ten-year old could read actually felt quite intriguing. It tickled my imagination and I started getting ideas regarding characters and plots, and what I would want the message to be, that is what main thing about my research I would want to convey.

I didn’t get a chance to write any of this down because, of course, like many other things, there just wasn’t time for anything else than what I was already working on. But he kept asking. Every once in a while, he would ask me if I was working on it yet. He was very persistent, so finally I told him yes, I would do it. I mean how do you say no to something like that anyway?

But still I couldn’t seem to find the time and still he kept asking.

So finally, last summer, during my summer holiday on the island, I started working on it. For two weeks I sat at the kitchen table in the sweltering heat as my family went on about their lives around me, and I wrote. I experienced flow like I have never experienced before and I was having so much fun.

After two weeks, I had a story about a girl and a boy dealing with questions of gender, identity, diversity, and the need to do things on terms that work for them. That meant that when I returned to work, I had most of a first draft done. I put in some extra effort; I finished it and edited it with the help of my daughter (for which I am so grateful), and then I let it sit. As with all creative endeavors, this was also one filled with self-doubt, but I tried to ignore that and focus on how much I enjoyed writing it instead, and how attached I had become to these two characters I had created.

Now, during my Christmas break, I finally got it out again, reread it and did some final edits. Although it was scary to say the least, I decided to quickly send it to a publisher before I changed my mind because a fundamental truth is that a text that is never sent never gets published either. Besides, I needed an expert’s opinion. Was I any good?

So that’s what I did. I sent it last week and get this, I got a response after just a few days, which in itself felt like a major accomplishment.

Now I know what you’re thinking. By now you’re thinking it was accepted and that I will soon be the author of a children’s book. I mean I’ve been building the suspense for the last 700 words and why else would I share this with the world? But that isn’t what happened. It was rejected, but since I have made it my mission to share not only my ups but also my downs to give a more accurate picture of what success, or hard work rather, really looks like, I decided to write about it.

Yes, it was rejected and I’m not going to lie, I was disappointed. But it was also a very nice rejection. I got many positive comments, constructive criticism, and encouragement to keep writing. And I was also told I’m welcome to submit a new manuscript in the future.

I’m not sure yet what I’m going to do about the manuscript. I suspect I will keep working on it, although not right now. Unfortunately (or fortunately) I have another book that needs to be written, so maybe next summer when I’m on the island again?

In the meantime, I’m going to read it to my son (who is older now but the story was originally for him so he will just have to deal with it). But also, by writing about this I’m taking this rejection (a nice rejection but nevertheless) and actively choosing how I make it a part of my narrative. Now it’s not just a rejection, it’s a part of the story of how I continue to develop as a writer.

Because we should never underestimate the power of what we tell ourselves. If we tell ourselves that we failed, we will feel like failures; but if we tell ourselves that we can do it, we will. And I can do it, I just need a little bit of practice first.

Michelle opted out too

I’m reading Becoming by Michelle Obama. It was a Christmas gift and I really love the book. I love her story and her storytelling. And she writes in a way that is so accessible that I feel like she’s writing to me. I feel like I know her, or rather wish that I did.

What I realize though, now that I am about half way through the book, is that Michelle Obama is a fellow opter outer! She doesn’t call it opting out though. Besides, she did it before the term was even coined (in 2003 by New York Times columnist Lisa Belkin). She calls it swerving; swerving from your path. But nevertheless, opting out (and in) is what she did. She was on a straight path towards becoming a partner in a law firm when she realized that she just didn’t want to be a lawyer anymore. She just didn’t want to continue doing what she had been trying so hard to achieve for years of education, training and hard work. It wasn’t an easy process, as opting out processes rarely (if ever) are, but she felt that her job and lifestyle didn’t provided her with meaning, nor did they allow her any time for anything else. Her work schedule meant she wasn’t able to be there for people who were important to her when they needed her. It didn’t feel right and it didn’t feel worth it.

Everywhere I turn, there are stories of opting out and in. Everywhere I go, I’m met with people who long to do it themselves, in case they haven’t already. It happens when I go to the doctor, to the bank, to meetings. People ask me what I do and when I tell them about my research, they, in turn, tell me about their journeys, what their terms have been (my doctor) or stories of how they long for change and are thinking about what their next step should be (the bank).

People sometimes wonder if it doesn’t worry me that someone like my doctor who is supposed to be taking care of my health longs to opt out, but it doesn’t. The reason is that I know that it is human to want and need a coherent life story and I know how hard doctors work. And just because you long to opt out, or you maybe already have on some level, it doesn’t make you any worse at what you do or any less professional.

If anything, I feel honored that they feel comfortable sharing their stories with me and pleased that I seem to be on to something. And also somewhat amused that it happened again, that I yet again met a person with whom my research resonates.

Those who doubt that opting out is something we will see more of in the future, simply don’t understand what it is really about. It’s not about dropping out. It’s not about not wanting to work. It’s not about not wanting or being able to ‘lean in’ as Sheryl Sandberg argued in her book. It’s about doing it on your own terms in a sustainable way that is meaningful. I think in the case of Michelle Obama it becomes quite clear, don’t you? She opted out and just look at her now!

The unbearable lightness of success

I’ve had a strange past few weeks. As you know, I threw a book launch-art exhibit three weeks ago, and it was a great success. I’m so pleased. But it has also coincided with what I will for the time being just cryptically call ‘workplace turbulence’, which made the whole event a bit unreal to tell you the truth.

But still, people came, I spoke, we had sparkling wine. I received lots of gorgeous flowers, which I have enjoyed immensely. And I’m so grateful for the supportive and positive energy I felt from everyone who came. Thank you.

However, although I loved every second, I am also one of those outgoing introverts who likes being with people but gets my energy from being alone. Therefore, I always feel completely drained after experiences like my event. Plus, as is typical after periods of high stress, I also came down with the flu a couple of days later.

There I was, lying in bed, too sick to work. I was exhausted and frankly just wanted to hide under the covers. At the same time a radio interview and an article about me and my new paperback aired and was published, that I of course shared on social media while pondering life’s contrasts and ironies. While I was sick and just generally miserable, there was my face, smiling out over social media newsfeeds and radiating success.

Well, I’m better now, the post-event exhaustion has worn off, and my job situation is sorting itself out. A few days ago, my daughter and I had a very meaningful conversation about what it means to be successful. I told her about the irony and the mixed feelings of the past few weeks. We agreed that although achievement and success feel great when you have worked hard and get to see the result of that hard work, this type of success can also be very fleeting. Being recognized in the media can be flattering and exciting, but it doesn’t ultimately make you a happy person.

So, what is success then really? Or at least a more lasting feeling of success?

For me it is having a meaningful life. It means doing meaningful and important work, important in that it adds to the greater good. And it means meaningful activities and experiences. This includes relationships, good conversations, and spending time with and being there for the people who are important to me. And I know I share this feeling with many others who opt in to lifestyles where they are able to make more space for relationships.

But this is something we rarely talk about today, especially not in conjunction with the term success. And our hectic lifestyles really don’t enable it either.

This is something to think about. What do you want to see when you look back on your life?

Controlling the uncontrollable and the art of letting go

A feeling of not having control is difficult to deal with. In my research I have found that when people cannot control things they try to compensate for it and create a feeling of control by controlling other, smaller issues. For example, when people feel they have no control over their lives or their time, they tend to be control freaks (pardon the expression) regarding things like organized cupboards, clean homes and excel spreadsheets where they keep track of family members’ whereabouts every moment of the day. I have seen this in my research, and I have also seen how people let go of the small things when they gain a sense of control. People have laughingly told me that after having opted out they became so disorganized because they just didn’t feel the need to control the minutiae anymore.

I have experienced this too.

However, an interesting thing I realized when I started analyzing my passion for silk painting (yes, I know, I am capable of overanalyzing just about anything) was how, when I go between a feeling of control and feeling of not having control, I can actually see it in my painting.

One thing that I really love about silk painting is the way the paints interact with the fabric. It’s almost magical. The paints tend to spread like crazy along the threads of the fabric, and there are different ways of trying to control that, if that is what you want to do. Because there is something so satisfying about letting the colors spread and merge and in a way dance together on the silk and just see it happening before your eyes. You can drop water or alcohol on the colors or use salts to create different effects and the exciting thing is that you never really know what you will end up with. After the paint has dried, you see what you have and then you take it from there.

Sort of like in life. You never really know what you will end up with, but you invariably end up with something and then you have to accept that in order to be able to take it from there. It’s called working with what you have.

Well, during this past year, I’ve been fascinated by the idea of controlling the uncontrollable. I like painting without using gutta, a paste-like material that creates borders over which the colors won’t spread. I like it when the colors spread and I like being able to control this without the help of techniques like gutta.

This past year I have noticed a change in my style of painting. I’ve moved away from big sweeping brush strokes and abstract color schemes to create exact lines through colorful florals or black silhouettes. Only when I have been mad or frustrated have I deviated from this (that’s when I’ve taken my frustration out on the silk, and it works like a charm). But on the most part my painting has been very controlled.

Thinking back, this has coincided with a year of searching and wondering what I should do with my life, where I want to go next. I have been feeling unsure and I have lacked a sense of control, and it suddenly became so clear to me that I, in part, have been compensating for that in my art.

Now, however, I have a plan. I’ve figured things out and once again feel like I am on the track towards my future. I have gained a sense of control and, correspondingly, I see the result of this in my painting. This summer, when the pieces started falling into place, I started yearning for less control in my painting, for larger brushstrokes and more improvisation.

But ironically, even when I try to control my painting, it’s still just an illusion. You can never really have full control, just an illusion of control. With silk paints, as in life, you never really know what will happen and where you will end up. But you have to accept what comes at you because only then can you move on to the next thing, in an informed and sustainable way. It’s just easier to let go when you feel safe.

Do more of what you love

I’m often asked for advice on how to opt in. I mean, I guess we can sort of figure out the opting out part on our own. In theory at least, since it’s easier said than done. But how does one opt in? How does one even figure out what to opt in to?

Well, I’m usually very reluctant to give advice about opting out and in. I study the phenomenon, but as I’ve said a number of times before, I’m not an opting out coach. When people opt out and in, they usually feel a sense of urgency, and when that happens, things generally have a way of sorting themselves out because they have to.

But as I was planning my talk for my event last week, I started thinking about my own opting out and in journey and how I as a person have grown during this time. I have learned so much on my journey, not least about myself, and I realized that I have had many valuable epiphanies that I can share.

So here goes. Lessons I have learned about finding your way and life in general:

  • You need to do things, anything, because action leads to opportunities. When it comes to finding whatever it is you are looking for, doing something is better than doing nothing.
  • You need to try things. When opportunities present themselves give them a chance. Even if it seems crazy or out of character, if it is something you think you might like, jump! This does not mean giving everything else up, it just means giving things a try. Kind of like my silk painting. I jumped, I’ve been doing it on the side, and it’s lead me to places I’ve only dreamed about.
  • You need to not listen to your inner critic. He/she is not your friend! It does not matter if you don’t have the formal training, if the competition is tough, or if there are others who are better at it than you. Try it anyway! Otherwise you’ll never know. Besides, doubt is an essential part of every creative process.
  • You need to do more of what you love. When we do things that make us happy, we tend to get good at it just because we do it a lot. And the reason we do it a lot is because we love doing it. Not only that, you also tend to love things you’re good at, so it quickly becomes a good circle, as opposed to a viscous one.
  • You need to talk about it. Tell people! Talking helps shape your thoughts and ideas. You’ll also realize what a great idea it is when you see the other person getting excited about it. You’ll realize that your crazy idea isn’t that crazy after all! And they might know of opportunities or people who can help. Or they might be able to help. This is often how opportunities appear.
  • Don’t wait for the perfect time or for whatever it is you’re doing to be perfect. If you do, it will never happen. You need to just start and you can fix and tweak as you go along. Besides, I’m a firm believer that beauty lies in the imperfections.

Famous for a week

This past week I’ve felt famous. I was interviewed for a Finnish radio station on Wednesday and when I got back from that interview I was asked by another organization for another interview. The term they used was “successful researcher” and, to be honest, it felt very flattering. The thing is, I don’t generally feel wildly successful. I just do what I do, and sometimes it goes well and sometimes it doesn’t. As an academic I get a lot of rejection that can be seriously demoralizing even though I tell myself that it comes with the territory and that I should take it as constructive criticism. Sometimes I wonder if academics are gluttons for punishment or if we just don’t know better.

Monday is the day of my book release–art exhibit. I’ve marketed the event and my book on social media, and people must obviously have noticed it. If it has made me seem very successful, I don’t know, but what I do know is that when we create narratives of what we do it tends to always seem so neat and planned and intentional.

I mean, I opted out of a career in business nine years ago. The story is that I wanted to pursue further studies in the social sciences and writing a PhD on opting out would allow me to do that. Not only that, it would provide me with the much-needed insights to understand what it is about our working culture that is making people not want to work the way that is expected of them. This would, in turn, help me make an impact in the business world, which is where I’m really from.

After that, I went on to study men, which I knew from the start would be my next step. I got the funding I wanted and now I’m doing that. With this knowledge (and with my books that I’m publishing left and right (okay, that was a slight exaggeration…)) I’m now planning on moving back towards the world of business so that I can use my research and nothing less than change the world and the way we understand what it means to be a good and successful worker as well as create real and sustainable solutions for work.

This is my story. This is the story of the successful researcher.

However, the truth is that this is only part of the story. The narratives we tell and the stories we see don’t include the pain, the insecurity, the doubt, and the fear. My story doesn’t say that when I opted out I was not at all sure I wanted to do a PhD. I was thinking about it and decided I needed to jump because I really needed a change. It doesn’t tell us about the identity crises I experienced. It doesn’t talk about how I at one point never thought I was going to complete my PhD. Or about how I was rejected for a whole year regarding my men opting out research. It just seemed impossible to get funding! Or how doing research and writing a book is a complete emotional roller coaster filled with moments of euphoria but also with at least as many moments of despair. Or the worry about what I will do next or how I will make my living. Or the pain of wearing my heart on my sleeve (which is kind of what you do when you put your soul into your writing or painting) and getting harsh criticism or even worse, being met with indifference.

None of this is part of my ‘official’ story or something that anyone else can see. They just see the milestones and successes. And there have been both milestones and successes for which I am very grateful; this book release-art exhibit is one. But that is the thing, nothing is ever as simple as it looks.

I’ve made it one of my missions in life to show people exactly that; that successful individuals have doubts and that their paths aren’t always straightforward or even planned. Like anyone else, they have ups and downs. They feel insecure and vulnerable, but they also don’t give up. They keep going after the rejection. They keep going despite the doubt. Because the fact is that doubt is part of the creative process.

So yes, I’ve had successes and I’ve had failures. I’ve had my share of both. But for this week, I’m choosing to ignore whatever bumps there have been in the road. I’m going to bask in this idea that I am a successful researcher. It will help keep me going when the next obstacle appears.

And don’t you forget to pat yourself on the back either. Celebrate your successes, however big or small. You’re so worth it!