Lost in Socklot

You’re probably wondering what that means, ‘lost in Socklot’. I’ll tell you, but I have to backtrack a little first.

There is a small town on the coast of Finland where my grandparents used to live. I spent all my childhood Christmases in this town. I also spent other holidays there but the Christmas magic is what will forever stand out in my mind, because my family was especially good at creating magic. It of course helped that there was always snow, but it also involved things like carol-singing, home-made wool socks, and imaginary elf sightings as they rushed between homes in a terrible hurry to get everything done in time for Christmas. I remember the sweet, juicy mandarins my grandmother always kept in a bowl on the coffee table. Even the dog loved them and would appear in a flash the instant you pressed your thumb into the fruit to break the peel.

My grandparents passed away many years ago, but I go back once in a while and drive past their house, although not very often. However, this fall I found myself visiting twice in the span of just a month. Not only that, I went in a professional capacity – which was a first for me – and in a strange way it felt like things kind of came full circle. You see, as a little a girl, I dreamed of working in this small town when I grew up, although my dream involved the cash register of the local grocery store. Pushing all those buttons just seemed like so much fun.

Alas, there were no cash registers involved when the opportunity to go there for work arose. I went to give two talks, and while I was there, my cousin came up with the idea of exhibiting my paintings in her daughter’s wonderful café. Said and done; we set a date for the vernissage, and that was how I ended up spending a whirlwind weekend not just hanging an exhibition and hosting a vernissage in the same day, but also driving about 1000 km (back and forth, but never-the-less) to do so.

I never planned on doing it alone, but in the last minute something came up and there I was. I set out on a Saturday morning, drove by my Art Place to pick up my paintings, and then set out North, belting duets with Billy Joel as I drove to make the time pass more quickly. Fast forward to the afternoon, and I arrive at the café somewhat stiff, with a huge craving for coffee, lugging a bunch of silk paintings. Well it was a café so the coffee thing was easily fixed… but it was a café so it was also filled with café guests nursing their own coffees, and blocking the walls onto which I wanted to hang my paintings.

Those of you who are artists know just how difficult and stressful hanging an exhibition can be. There I sat among the guests and every time someone got up to leave, I pounced before my access to that particular section of the wall got blocked again by the next set of guests. Standing on tables and chairs, I hung a couple of paintings as quickly as possible and prayed I got it right on the first try and wouldn’t have to do it all again.

Eventually the paintings were hung – not perfectly but well enough – and I rushed to my hotel to change for the vernissage. The event in itself was a success, although somewhat exhausting for an extroverted introvert like me, especially considering I was hosting it all alone away from home. Plus, exhibiting your art is soul-baringly personal, clichéd as it may sound. But guests came and it was wonderful to see everyone, it really was.

After the vernissage, a lot of flowers, and many warm congratulatory hugs, I happily made my way back to my hotel to get a good night’s sleep before my long drive back. But I didn’t really sleep, not after all that excitement, so the next day, I woke up quite tired, albeit to a sparkly white winter wonderland.

After breakfast, I got back into my car and started driving towards a small village called Socklot to visit the painting studio of an artist I had had the pleasure of meeting during one of my talks. I was really looking forward to this visit and I had a fantastic time. We hit it off and spent a couple of hours looking at his work, discussing techniques, and talking about my work… He gave me two sketches, which I treasure dearly, and I left with a full heart and a terrible itch to paint.

I got back in my car again and finally headed home. I was in the countryside and assumed I would find my way back to the main road without too much trouble. However, being a bit of a city person who navigates with the help of city blocks and sidewalks, the country roads soon led my astray and before long I realized I was lost. Well, not really lost, I mean I have a GPS on my phone so I wasn’t worried. But I realized I had driven in the wrong direction and was now even further away from the main road, and my drive home was getting longer by the minute.

Just as I had this realization, my phone rang and it was my husband. I hit the green receiver button and declared, “I’m lost in Socklot.”

It all felt a bit like a Kaurismäki movie, but ‘lost in Socklot’ also kind of said it all. It sort of summed up my life for the past few months. I was in a good place, doing amazing things. I was quite tired and a little lost, but not really because I knew the general direction I wanted to go in, plus I had a GPS to help me navigate. So I was lost but not really.

And I have been doing amazing things for the past few months. I have been setting up the Art Place of my dreams. I have met with interesting people, made new friends, experienced so many firsts. I have been doing exactly what I want to be doing, although at the same time it has been overwhelming and exhausting, not to mention scary. I have been out of my comfort zone in more ways than I can count, but I can also say that I have been living my dream. Sometimes I’ve felt a bit lost, but in a safe way because I have experience to fall back on and supportive people around me. I know the general direction I want to go in and I’ve always had a map or GPS of sorts at hand.

Sometime in October I started to realize that I can’t do it all. For my own sanity and wellbeing, I needed to focus on what was really important and what I simply had to get done. For the first time in five years, I didn’t have the energy nor the inspiration to update my blog. From being a weekly column, it became a monthly thing, although now two months have already passed since my last post. I started writing a new post at least twice before Christmas to wish you all a happy holiday season, but I just never managed to finish it.

But that is life, right? We can’t always do it all and we have to be kind to ourselves. I wanted to give you a life sign though and let you know that I’m still here and that I’m not done blogging. The Opting Out Blog has been such an important part of my own opting out and in process, and a place where I not only write about my research but can also air my thoughts on other related topics. I believe I still have a lot left to say, and I will, although at the moment it may not be weekly or even bimonthly.

But I’ll keep you posted and I’ll keep posting, and I hope you will continue reading. Your comments and reactions still inspire me more than I can explain and I wish you all the best for the new year!

Following my heart, but taking my brain with me

I own 48 champagne glasses. You may wonder why. The reason is that after getting my PhD (in Australia) in 2014, I organized a seminar in Finland where I spoke about my research and served sparkling wine to toast my hard-earned degree. The department, where I worked at the time, wasn’t in the university main building and having the catering company in charge of the cafeteria bring champagne glasses over to the next building was surprisingly expensive. Way more expensive than just buying glasses from IKEA. And, having spent the past four and a half years applying for grants to cover tuition, living costs etc., the more affordable version seemed like the way to go.

So here I am, the proud owner of 48 champagne flutes. They have been put to good use. I have used them myself when organizing events, and friends and family have borrowed them on occasion. This spring alone they have been at a wedding and a high-school graduation party. And I tell people not to worry if any should break. God knows I have more than enough, and as you already know, they really weren’t very expensive.

But still, they are special to me. They are symbolic of good things to come.

After I graduated, a friend and I fantasized about what the perfect work place for us would be. I mean, I had just written a PhD on opting out, and I was spending a lot of time thinking about work places, sustainable working cultures, toxic environments, good work routines, and basically just what does and doesn’t work for me personally. My friend and I fantasized about one day having an office together where we would do everything on our own terms. We hadn’t quite figured out what our business would be, but we did know what we wanted and we didn’t want, what practices we did and didn’t appreciate. We dreamed about this fantasy place and I jokingly told her that I already had the champagne glasses for office celebrations.

And so, these 48 glasses, became symbolic of my future – my future office, my future business – a place where I would work with what I love, in a way that I love. I didn’t really know if that was ever realistically going to happen, but the glasses have been a reminder that it could. You never know, right?

Well, let me tell you something. On August 1st, I am moving the 48 glasses into my new place. Take that in for a second, I can hardly believe it myself.

You see, I have a vision. I want to be involved in changing working life as we know it, and I want to bring people into a space that doesn’t look like an office to talk about work. I think we have to be taken out of our usual environments and see alternatives to more effectively challenge our mental models, and that is what I plan to do.

I have three legs that I stand on: research, consulting and painting. I’ve been doing research for the past ten years, but I also have a background in consulting and I want to take my research back to the business world where my findings belong. And then I have my painting. My painting is my passion and it has snowballed into a second job during the past couple of years. It has expanded to the point that I simply need a bigger place to paint, and I figured I could combine my three legs in one space. Not only that, after looking for a place for some time, I have finally found my perfect space and I signed the lease just a couple of weeks ago!

I call it ‘The Art Place’ – a place to paint but also a space for reflection and dialogue. A place to talk about and practice the art of change, of leadership and of reinvention. A place to think about alternative solutions for work and different ways of understanding work in a space that doesn’t look anything like an office. It will look like me and all three parts of me. I will be my space.

When I try to describe to people what it is I’m doing, it’s hard to do in just a few words. Yesterday, on Instagram, I saw a quote that said it all:

“Follow your heart, but take your brain with you.”

That, my friends, is precisely what I’m trying to do. So please stay tuned – more soon as I start setting things up!

Tell yourself you can and you will

One of the things that my own opting out and in journey has brought me is a whole bunch of firsts. When I opted out of my career in consulting to work on my PhD, I was flung out of my comfort zone as I navigated new worlds and ways of doing things, and it has continued ever since. One reason is of course that whenever you embark on a new profession or way of life, you are bound to do many things for the first time. But another reason is that once you get in the habit of doing new things, the threshold to saying yes to new ideas and opportunities becomes lower. You simply become more open to trying things you never dreamed you would do.

Let me tell you about one of my firsts. A couple of years ago, my son, who has been following my research and the attention it has received from the sidelines, asked me if I could write a book about my research that he could actually understand. My research was just kind of hard to grasp for a ten-year old.

At first, I was just mostly flattered that he was interested in what I do. But I come from a long line of readers and I’ve read more books to my kids than I can count, so the idea of writing something that a ten-year old could read actually felt quite intriguing. It tickled my imagination and I started getting ideas regarding characters and plots, and what I would want the message to be, that is what main thing about my research I would want to convey.

I didn’t get a chance to write any of this down because, of course, like many other things, there just wasn’t time for anything else than what I was already working on. But he kept asking. Every once in a while, he would ask me if I was working on it yet. He was very persistent, so finally I told him yes, I would do it. I mean how do you say no to something like that anyway?

But still I couldn’t seem to find the time and still he kept asking.

So finally, last summer, during my summer holiday on the island, I started working on it. For two weeks I sat at the kitchen table in the sweltering heat as my family went on about their lives around me, and I wrote. I experienced flow like I have never experienced before and I was having so much fun.

After two weeks, I had a story about a girl and a boy dealing with questions of gender, identity, diversity, and the need to do things on terms that work for them. That meant that when I returned to work, I had most of a first draft done. I put in some extra effort; I finished it and edited it with the help of my daughter (for which I am so grateful), and then I let it sit. As with all creative endeavors, this was also one filled with self-doubt, but I tried to ignore that and focus on how much I enjoyed writing it instead, and how attached I had become to these two characters I had created.

Now, during my Christmas break, I finally got it out again, reread it and did some final edits. Although it was scary to say the least, I decided to quickly send it to a publisher before I changed my mind because a fundamental truth is that a text that is never sent never gets published either. Besides, I needed an expert’s opinion. Was I any good?

So that’s what I did. I sent it last week and get this, I got a response after just a few days, which in itself felt like a major accomplishment.

Now I know what you’re thinking. By now you’re thinking it was accepted and that I will soon be the author of a children’s book. I mean I’ve been building the suspense for the last 700 words and why else would I share this with the world? But that isn’t what happened. It was rejected, but since I have made it my mission to share not only my ups but also my downs to give a more accurate picture of what success, or hard work rather, really looks like, I decided to write about it.

Yes, it was rejected and I’m not going to lie, I was disappointed. But it was also a very nice rejection. I got many positive comments, constructive criticism, and encouragement to keep writing. And I was also told I’m welcome to submit a new manuscript in the future.

I’m not sure yet what I’m going to do about the manuscript. I suspect I will keep working on it, although not right now. Unfortunately (or fortunately) I have another book that needs to be written, so maybe next summer when I’m on the island again?

In the meantime, I’m going to read it to my son (who is older now but the story was originally for him so he will just have to deal with it). But also, by writing about this I’m taking this rejection (a nice rejection but nevertheless) and actively choosing how I make it a part of my narrative. Now it’s not just a rejection, it’s a part of the story of how I continue to develop as a writer.

Because we should never underestimate the power of what we tell ourselves. If we tell ourselves that we failed, we will feel like failures; but if we tell ourselves that we can do it, we will. And I can do it, I just need a little bit of practice first.

Do more of what you love

I’m often asked for advice on how to opt in. I mean, I guess we can sort of figure out the opting out part on our own. In theory at least, since it’s easier said than done. But how does one opt in? How does one even figure out what to opt in to?

Well, I’m usually very reluctant to give advice about opting out and in. I study the phenomenon, but as I’ve said a number of times before, I’m not an opting out coach. When people opt out and in, they usually feel a sense of urgency, and when that happens, things generally have a way of sorting themselves out because they have to.

But as I was planning my talk for my event last week, I started thinking about my own opting out and in journey and how I as a person have grown during this time. I have learned so much on my journey, not least about myself, and I realized that I have had many valuable epiphanies that I can share.

So here goes. Lessons I have learned about finding your way and life in general:

  • You need to do things, anything, because action leads to opportunities. When it comes to finding whatever it is you are looking for, doing something is better than doing nothing.
  • You need to try things. When opportunities present themselves give them a chance. Even if it seems crazy or out of character, if it is something you think you might like, jump! This does not mean giving everything else up, it just means giving things a try. Kind of like my silk painting. I jumped, I’ve been doing it on the side, and it’s lead me to places I’ve only dreamed about.
  • You need to not listen to your inner critic. He/she is not your friend! It does not matter if you don’t have the formal training, if the competition is tough, or if there are others who are better at it than you. Try it anyway! Otherwise you’ll never know. Besides, doubt is an essential part of every creative process.
  • You need to do more of what you love. When we do things that make us happy, we tend to get good at it just because we do it a lot. And the reason we do it a lot is because we love doing it. Not only that, you also tend to love things you’re good at, so it quickly becomes a good circle, as opposed to a viscous one.
  • You need to talk about it. Tell people! Talking helps shape your thoughts and ideas. You’ll also realize what a great idea it is when you see the other person getting excited about it. You’ll realize that your crazy idea isn’t that crazy after all! And they might know of opportunities or people who can help. Or they might be able to help. This is often how opportunities appear.
  • Don’t wait for the perfect time or for whatever it is you’re doing to be perfect. If you do, it will never happen. You need to just start and you can fix and tweak as you go along. Besides, I’m a firm believer that beauty lies in the imperfections.

Book releases, ketchup and other stuff

It has been so hectic lately that I haven’t had the mental space to write this overdue blog post. I have a lot going on, and as usual it never rains it pours. This is also famously known as the ketchup effect; nothing happens, nothing happens, nothing happens, and then suddenly everything happens at once.

The main thing going on at the moment is the recent publication of the paperback version of my book Opting Out and In: On Women’s Careers and New Lifestyles. I am so happy it is finally available in paperback. I have been waiting for this since the day the hardback was published. True to academic publishing routines, the hardback version is a so-called library version. In other words, an expensive book that most people aren’t willing to pay that much money for. However, the paperback is priced much more affordably and I am so excited that anyone and everyone who has expressed an interest will now be able to get a copy of their own. (It is also available in all the major online bookstores.)

However, my book is not only an academic book. It’s a book that anyone can read, and anyone should read. It’s filled with stories of real women, on real opting out and in journeys. These stories are intertwined with different societal aspects, debates, and phenomena to help us understand what opting out and in really is and how it affects us as individuals.

People have shown a lot of interest in my work ever since I set out on my own opting out and in journey, when I started doing research and collecting narratives. It makes me feel humbled, but also that what I am doing is worthwhile and important, and that – the feeling that I’m making a difference –has got to be the best feeling ever. To this day, my favorite thing is when people come up to me – friends, acquaintances, or strangers – and share with me their own opting out and in experiences. (To those who sometimes ask me: no, I will never tire of it!)

Because this paperback edition is so important to me, I decided to throw a book release to celebrate its publication. But just like everything else I do, I wanted to do it on my own terms. Instead of inviting speakers and commentators to speak during the event, I decided I want to make it my very own, and do it in a way that reflects me and my journey. I decided to make it a joint book release – art exhibit, because lately my painting has become an increasingly important part of my life and I see it becoming even more so as I continue my journey and navigate my future.

During the past year, my painting has become a second job of sorts, and although I at first felt I had to keep it separate from my research and that part of my life, I’m starting to realize that maybe there are more synergies than I first thought. The painting first felt like a good counter balance to my day job, however now I’ve realized that they also feed each other and are just different perspectives and forms of creative expression. Not only can they exist in harmony, they can also create a whole with countless possibilities that I can still only imagine.

So this book release – art exhibit is a direct reflection of me, what I do, and how I think. Symbolically it also marks another milestone on my journey, and I look forward to seeing where I will go next. Because the fact is, although we like making plans, life isn’t predetermined. You never really know what will happen.

The event will take place in Helsinki on September 24. If you are interested in attending, you can email me at theoptingoutblog@gmail.com for more information.

And if you’re interested in my art, you can follow me on Instagram: @ingrids_silk_painting

Is opting out trendy?

I have a few friends with whom I always have the most interesting and inspiring conversations. I meet them every now and then for lunch, after which my mind is always bubbling with ideas for blog posts, and I was lucky enough to see one of those friends just a few days ago.

This particular friend has also opted out and in. We had a conversation about ‘opting on’ and the blog post I wrote not too long ago. I told her how interesting it has been because after sharing with the world that I myself plan to opt on again, I have gotten so many really positive reactions.

And it’s true, I have gotten comments and messages from people – both from the academic world and from the business world – who have told me how happy they are that I am opting on. Although I’ve been thrilled by these reactions, I also find them extremely interesting. Especially since most of them seem to just be happy in general rather than specifically for me.

I’ve been thinking about what that might mean. I think maybe for academics there is a frustration regarding the way many things work in academia and the fact that someone is critical of it might be intriguing to them. But what about non-academics? They don’t have a bone to pick with the academic system. Maybe it’s just the thought of someone doing their own thing on their own terms and breaking free from predetermined paths that appeals to them?

Judging from the reactions people who opt out generally get from others this is probably true. Many wistfully say that they think the person opting out is brave and that they wish they could do it too, although I speak for many when I say that bravery often doesn’t have anything to do with it when you opt out. Opting out is often just something you feel like you have to do.

So my friend and I were discussing this and suddenly she says that opting out is, after all, quite trendy. It’s not the first time I’ve heard that, but it just seems so strange to me because opting out and in is not an easy thing to do. It isn’t something people do lightly. It’s usually a result of some kind of crisis that pushes a person to make such a big change. Without the push and a feeling that continuing that way they have just isn’t an option, they are generally not able to leap into the unknown, which opting out often is.

Still, opting out is romanticized, especially in the media. We have a romantic notion of what it is like and think that people who opt out do so bravely and happily in order to opt in to their dreams, where they can be the best versions of themselves. Although that sounds wonderful, that doesn’t necessarily provide us with a realistic picture of what is really going on.

So one of the things I came to think of when lunching with my good friend, was that if that is true, that opting out has become trendy, and if it is something that people not only long to do but think that they should do in order to be happy, then that is really quite troubling. Because since opting out is hard, and really isn’t something that most people do just because it is so hard, aren’t we setting people up for disappointment by creating a trend that really isn’t very easy to adopt even if we wanted to?

This actually goes hand in hand with the notion that happiness is something that we should strive for in order to be just that – happy. The problem is that if you search for happiness it is always going to elude you. I want to be happy as much as anyone else, but happiness is the result of other things. It is a result of a meaningful life filled with meaningful relationships and activities.

If we always dream of something else, we will never be happy with what we have. So instead of making opting out trendy, maybe we should rather focus on making being happy with what we’re doing now cool? Just as it is okay to opt out if that is what you need to do, it also needs to be okay to like your job and your life just the way it is.

So on that note, I’m going to stop here. In front of me I have a cup of coffee. The cup was a birthday gift from my husband and it very appropriately says, ‘Love what you do’. Pretty good advice if you ask me.

Keep your reminders

As I write this, I’m sitting at my desk looking at a flower in a glass bottle. A flower that is the sole survivor of a wilted birthday bouquet I got about a week ago. It wasn’t the prettiest flower in the bouquet, but on my desk it looks quite stunning, and it serves as a reminder of all the relaxing days I had over my summer break.

I had a wonderful vacation. I managed quite well to stay off my work email, email in general actually. I wasted time frivolously and extravagantly, sat around drinking coffee, engaging in good conversation, and taking in the beautiful scenery without checking my watch or being stressed about all the things I should be doing. And that was probably the best part of my vacation, wasting time, or rather using it any way that I wanted.

I had time to think and, as you may know if you read my blog post from a few weeks ago, I imagined exciting futures and new beginnings. Now, however, I’m back at my desk, working on on-going projects and faced with a long to-do list, as always. As I’m getting sucked in to the drudge of everyday life, I easily forget my thoughts and plans for the future. Still just abstract and fleeting, they so easily get pushed into the background and forgotten, and if I’m not careful I’ll forget I had the thoughts in the first place.

So I keep reminders. One is the flower. Another is one of my silk paintings that I’ve decided to keep for myself. When I painted it, I experimented with a style and technique I came up with myself and created something unlike I had ever painted before. The concept became an instant hit and it reminds me of how anything can happen and that everything is possible. It hangs on the wall in my living room and I can see it from several points in my house, and every time I see it, I remember.

Because I tend to forget. I tend to get caught up and sucked in. I get so busy that I forget my plans on opting on. And if I do, I won’t. Opt on that is.

So the painting literally jogs my memory every time I see it and inspires me to keep going and work on making my dreams and plans reality. Because the truth is, they won’t happen by themselves. I need to make them happen.

“Keep going, keep going, keep going”

I have learned something important during the past year. I’ve learned that when an opportunity presents itself, you should just jump on board, even if it seems crazy. Because if it seems like a fun thing you might like, it probably isn’t crazy at all, it’s just that your self-doubt is telling you that it isn’t something you ‘do’. And that is one of the things I have learned. That just because you don’t usually do something it doesn’t mean it isn’t your thing. It just means you haven’t discovered that it could be your thing because you haven’t been ‘crazy’ enough to try.

I’ve been there. I’ve had Doubt sitting on my shoulder whispering loudly into my ear. I haven’t tried things I might like because how could I <insert here something you’ve always dreamed of doing> since I’m not formally trained, I’m really not that talented, there is so much competition in that area, I already have a job…. or all of the above. But this year I’ve tried things. I’ve jumped on board and I’ve ignored my self-doubt, even though it’s there. And it’s true, we all doubt ourselves at times, all of us.

One was of course my silk painting. By now it has snowballed into something quite exciting simply because I allowed myself to just go with it. And honestly, I still don’t know where it will lead, but it has gone from being a private hobby to becoming something of a small side business.

Another is a project that I’m working on right now, which I am really excited about. It’s still too early to talk about, but let me just say that it’s an idea that presented itself and I decided why not give it a try. I never really thought it was something I would be able to do, but I’m finding I’m better at it than I thought and not only that, I’m really enjoying it, despite many moments of doubt. And let me tell you, there have been many.

But the only way the crazy opportunities can lead anywhere – the only way you will succeed – is if you keep going despite the doubt. Last week I read Talking as Fast as I Can by Lauren Graham (a seriously fun and feel-good read, by the way) and she talks about this. She talks about what the secret to success is, to accomplishing a lot, and this is how she sums it up:

“Ignore the doubt – it’s not your friend – and just keep going, keep going, keep going.”

This, my friends, is my new mantra.

Impossible! Or is it?

It never ceases to amaze me how hard it is to question what we take for granted. I notice this in my everyday life when I feel stuck. When I’ve organized my life or my routines in a certain way, I become so used to them that imagining a different way to go about things is surprisingly hard.

Let me give you an example. About a year ago I started painting more again, after years of really not painting very much. A friend wanted to buy a few paintings, which really inspired me and before I knew it, it had snowballed into a second job. I desperately needed a place to set up a painting studio, and I wanted to do this in my home but there was just no space. Every inch of our house was pretty much taken, not to mention all the rooms with enough natural light. So it seemed like a mission impossible. I did finally set up a table in a corner of a room where I painted for the first few months. However, this space was completely inadequate. It was cramped and the light was pretty bad. Every once in a while I would carry what I was working on outside to check how the colors really looked. Not to mention how unergonomic the space was, my back was not happy!

But I was stumped. There was just no other space to set up my paints.

Well, in this situation what usually happens to me is that it takes a while but eventually I start considering the impossible. I need that one moment when I realize maybe the impossible could be possible after all.

The solution eventually came to me. I have a study at home where I write and my desk is actually a dining room table with a lot of space for piles and piles of books and papers. But my study was absolutely off limits. I mean, my research and writing! That’s my job. It’s how I make a living. There is no room in my study for anything else.

But then one day I thought, or is there?

In a moment of clarity I realized that if I turned my desk 90 degrees there would be room to extend it (it has a built-in extension) and not only would I have space to write on it but to paint too! My study could be a combined study-studio! Not only that, it has plenty of natural light.

It was like an epiphany. What had just been impossible was suddenly the solution and I set about rearranging my stuff right away. I made room in my bookshelf for the piles and now only keep what’s absolutely necessary on the table. And it’s perfect. I no longer have to carry paintings in and out of the house to see what they really look like and my back is also thanking me.

But symbolically the change meant even more. My second job got a place of its own in my study-studio and suddenly it became a very real part of what I do. It’s actually quite mind blowing and opened up even more possibilities in my mind. Who knows where this will lead? Maybe the minor rearranging of furniture will turn out to have a much greater effect than I ever imagined?

The point is, in my mind the impossible became possible. This particular story is about my painting, but it works for just about anything. Think about it: are you stuck with no imaginable way forward? If you think it is impossible you might just need to ask yourself, or is it?

How to create sustainable solutions for work

I was at a conference a couple of weeks ago where I, among other things, attended an event on good work and alternative organizing. It caught my eye in the conference program, as it sounded pretty much exactly like what I am currently researching and spending most of my time thinking about. That is, what constitutes good work and how we can create different solutions for work that are sustainable but that also cater to the diverse wants, needs, and objectives of the people who make up the work force?

The event was basically a panel discussion between scholars who research different types of organizing and much of the discussion revolved around work cooperatives. A work cooperative is an organization that is owned and self-managed by its workers. Either the workers are all democratically involved in the decision-making together, or they elect a person to manage the cooperative and make decisions for them. The work cooperative follows certain principles like democracy, training, and control, which provides meaning and is also one of the reasons it might appeal to people as a solution for organizing.

This struck a chord with me because control is one of the major issues that comes up in narratives of opting out and in. People experience little or no control over their lives and their time before opting out, but once they have opted in to new lifestyles, mindsets and solutions for work, they gain control over when, where, and how they work, which not only is important to them, it also adds to their sense of authenticity and wellbeing. (You can read more about that here and here.)

Another thing that I found interesting was that the researcher who had been studying cooperatives was obviously very intrigued by this way of organizing. When talking about cooperatives, she confessed that she was almost reluctant to admit that work in cooperatives can also be problematic as it can be precarious and lack security. In other words, it is not always a good solution for everyone. She was reluctant because she kind of really wanted it to be.

As someone who researches opting out and in, I can recognize that feeling. One of the things that is symptomatic of opting out and in, is that people generally come out the other end of their journeys – which can be very difficult and troubling experiences – feeling happy and better about themselves simply because they have more control and they feel like they can finally be themselves. Because of that they typically feel that their journey has been a successful one, and it becomes easy to think that maybe it could be a solution for everyone. But it isn’t.

Success is actually quite a complex and multifaceted issue. When we speak of success, we have to ask ourselves, out of whose perspective? When people opt out of successful careers, they often give up their high salaries, which, in turn, may have a direct effect on their pensions later on in life. This is something they seldom think of at the time. It might also entail an increased dependence on a spouse, which makes a person more vulnerable should something happen (for more about that, I can recommend The Feminine Mistakeby Leslie Bennetts). And then there is of course the societal perspective. If women, for example, opt out of power positions in society by choosing not to have careers, how will that effect gendered structures and gender equality?

No, even though opting out and in can be a wonderful and emancipating experience in many ways – I should know, I’ve been on my own opting out and in journey for the past decade – it’s not a solution for everyone, nor should it be. And to have an increasing number of people opt out is, in the long run, certainly not a sustainable solution out of a societal perspective.

So the answer isn’t to abandon all traditional ways of organizing. The answer is to change organizations from the inside. We need to help organizations create sites for good work, where people can have a sense of control and wellbeing so that they won’t feel a need to opt out or choose precarious work in order to feel authentic and find meaning. That will of course mean different things to different people, but what it would mean for organizations is that instead of just talking about it, they would have to really embrace diversity in the real meaning of the word.

That is what we need to do to create sustainable solutions for work, solutions that are sustainable not only for the employee, but for the employer and for the economy as well.